Seventeen States and Six Central Ministries to showcase their tableaux in Republic Day Parade – 2017
This
year Republic Day Parade on Rajpath will witness tableaux from 17
States and Six Ministries of the Central Government. These tableaux will
showcase varied themes starting from country’s rich cultural heritage
and socio-economic development to nation’s progress in key areas like
IT, Women, Empowerment and Environment Protection. A brief write-up on
each tableaux highlighting its significance is given below:
ODISHA
Dola Jatra
The tableau of Odisha depicts ‘Dola Jatra’ – a popular festival celebrated in the state. This festival signifies the journey of Goddess Radha & Lord Krishna for ultimate union in the tradition of Bhakti cult.
‘Dola
Jatra’ coincides with the Holi festival that takes place on Falguna
Dashami before full moon day in the midst of February-March. The worship
of Goddess Radha and Lord Krishna is the pivotal event during this
six-day long festival. On Falguna Dashami, the idols of village deities,
especially that of Lord Krishna, are carried on a small decorated
wooden temple called Bimana in a procession to all houses in the
village. The procession of people, smeared with Abira (violet coloured
powder), moves from one house to another while rejoicing and dancing
with the traditional music and songs.
ARUNACHAL PRADESH
Yak Dance
The
tableau depicts the Yak Dance, one of the most famous pantomimes of the
Mahayana sect of Buddhist Tribes of Arunachal Pradesh. The
masked dancer represents the members of a family who are said to have
discovered the Yak with the help of a magical bird hundreds of years
ago. The Yak is the most useful animal of these tribes owing its
multipurpose uses. The discovery of the Yak resolved the family’s
internal property disputes and provided a permanent source of prosperity
to the entire community. This
dance portrays the joy of the people upon finding the Yak and it
signifies the presence of health, wealth and happiness of the Mahayana
Buddhist tribes, who believe that performing this dance would relieve
them of all their complications and anxieties.
MAHARASHTRA
Lokmanya Balgangadhar Tilak
This
year is being commemorated as the 160th birth anniversary of the
honoured freedom fighter, Lokmanya Balgangadhar Tilak. Known popularly
as Lokmanaya, meaning revered by the people, Tilak was one of the first
leaders of the Indian Independence movement. A freedom activist and a
social reformer, he was also a mathematician, news reporter, editor,
writer and orator. He committed himself to bring about awakening in the
society and nation building so as to liberate India from the oppressive
rule of the British. He started publishing his newspapers, the
‘Mahratta’ and ‘Kesari’. With a
view to bring about social awakening and unity in the fight against the
foreign rule, he initiated the celebrations of ‘Ganeshotsav’ and also
the ‘Shivjayanti Utsav’. This year the tradition of celebrating
Ganeshotsav as begun by him would be completing 125 successful years.
Lokmanya
Tilak understood the importance of physical education and hence,
encouraged it alongwith other social reforms. He was one of the
strongest advocates of ‘Swaraj’ or Self Rule for India. His famous
slogan ‘SWARAJ IS MY BIRTH RIGHT AND I SHALL HAVE IT’ served as an
inspiration for future revolutionaries of India’s struggle for freedom.
The Maharashtra tableau depicts the commemoration of the 160th birth
anniversary of this great man of India.
MANIPUR
Lai Haraoba
Lai
Haraoba is one of the oldest ritualistic theatres of the world
jealously preserved by the Meitei community of Manipur with utmost awe
and sanctity. The entire community participates in it with complete devotion.
Lai
Haraoba, translated as ‘Happiness of the Gods’ is celebrated to worship
local deities to bring prosperity and well-being of the land and its
inhabitants. These divinities are
referred to as Umag Lais or Sylvan Gods as their abodes are located in a
wooded area. The sacred ceremonies are conducted by Maibis or
priestesses who are adept in dance and sacred rituals. The common people
also dance as an act of worship to the accompaniment of the traditional
stringed instruments (pena) and drums (langdeng pung).
The
Manipur tableau is an effort to recreate the ambience of this quaint
and rich cultural tradition with a replica of the deities, elaborate
traditional paraphernalia and live dancing by the devotees as well as a
Maibi (priestess) performing the sacred dance to awaken the God from his
slumber.
GUJARAT
The Art and Lifestyle of Kutch
Gujarat’s Kutch district is renowned all over the world for its art and lifestyle. 16
different types of embroidery is done here. The Rogan art, Mud work and
the art of making Bhunga gives Kutch a unique identity across the
globe.
The main subject of Tableau is the ‘The Art and Lifestyle of Kutch’. Hence
the woman doing the embroidery work is shown on the front part of the
tableau in symbolic form. On the back side of the tableau people using
Motchi (Cobbler) embroidery art and Dabda, Kutchi camel covered with
embroidery work fabric, Rogan art work and the residence of Kutch people
Bhunga is shown.
LAKSHADWEEP
An Unexplored Tourist Destination
Lakshadweep
or “Laksha – Dweep” – A Hundred Thousand Islands – as defined in
Sanskrit, consists of 36 islands un-evenly spread in the Arabian Sea.
The tiniest Union Territory of India formed in 1956 is located 220-440
Km off the Kerala coast. Kavaratti is its Administrative Headquarter.
Lakshadweep is the best of its kind “Adventure Sport – Nature Tourism”
location that owns world’s premier diving spots, rich eco-system, marine
wealth, coral reefs, silver sandy beaches, virgin environment, &
pristine waters.
KARNATAKA
Folk Dances
Famous
for its traditional arts and folk dances, the state of Karnataka
presents traditional folk dances of the state in this year’s Republic
Day Parade tableau. The tableau
showcases the Goravas, the worshippers of Lord Shiva engaged in the
traditional ritualistic dance. They are adorned with unique caps made of
bear’s hair, who dance to the beats of drums and blowing flute. It is followed by the sword wielding warriors who are seen performing a dance while others carrying cymbals follow in circles. With
those beating drums, a dancer attired in attractive mask forms the
ensemble of Somas dancers to make the visual presentation complete.
NCT OF DELHI
Model Government School of Delhi
The
tableau of Delhi portrays the transformation of School Education in the
Nation, particularly the recent initiatives taken for quality
enhancement in the field. A good
education lays the foundation of a good future. In its bid to improve
the quality of education, the Government of Delhi has been transforming
Government Schools into Model Schools. The infrastructure of the schools
have been upgraded and quality of education improved. Both
teachers and students, have responded well to these changes. Under a
special programme, students are also taught music, theatre, fine arts,
creative writing and photography by experts. These Model Schools are now
at par with the private schools as is reflected in the enthusiasm of
the teachers and students alike.
The tableau of Delhi demonstrates the evolution of the concept of ‘Model Schools’.
HIMACHAL PRADESH
Chamba Rumal
Chamba Rumal is the finest specimen of Pahari art flourishing in Chamba town of Himachal Pradesh during late 18th century. Hand
woven satin cloth is embroidered with untwisted silken thread in double
stitch that comes the same on both sides known as do-rukha. Rasleela,
Astanayika and scenes from ancient legends and myths are generally
depicted on Rumal.The Himachal tableau represents the essence of this
wonderful craft.
HARYANA
Beti Bachao – Beti Padhao
Beti
Bachao – Beti Padhao is a relevant issue of our country. In earlier
days girls were mostly denied higher education and pushed into early
marriage. Even today, women have to suffer a lot as a consequence of
girls discrimination against them. In many villages, the girls are
neither treated at par with the boys, nor allowed education beyond
primary level. They are killed in the womb. Even if they survive foetal
death, they are exposed to numerous threats such as physical assaults,
exploitation and dowry deaths to name a few.
Prime
Minister of India has laid stress on the need of educating and
evaluating the girl child. On this front Haryana has been spearheading
this moment. It has seen immense development in women empowerment in
various spheres of life like education, sports, services sector etc.
WEST BENGAL
Sharod Utsav
The
appearance of pristine-white “Kashphool” in the backdrop of the
greenery of rural Bengal in autumn (sharad), signals the advent of the
festive season of Durga Puja, also known as “Sharod Utsav”.
Sharod
Utsav in Bengal is no longer a mere religious festival but has ascended
a higher plane, embracing the entire community in the state and across
India and the world. It has also
become one of the largest outdoor art carnivals in the world. The art
motif extends to elaborate interior and exteriors of Puja pandals,
executed by trained artists, with stylized elements and carefully
executed presentation of crafts and culture.
PUNJAB
Jago Aaiya
“JAGO” literally means “Wake Up”. Centuries ago invitations were not sent to invite people to wedding ceremony. Jago
is a festive dance full of energy and celebrations which would take
place the night before a Punjabi Wedding. A pot (Gaagar) decorated with
oil lamps and carried on the head is used while dancing and singing Jago
songs. Relatives of the bride or groom would go around the village so also encourage people to wake-up and join in the festivities. The tableau is based on the theme of “JAGO”.
TAMIL NADU
Karakattam
‘Karakattam’,
a popular folk dance of Tamil Nadu forms an important event in temple
festival celebrations especially in Amman Temple festivals in the rural
areas of Tamil Nadu.
‘Karakattam’
is one of the old folk dances, in which the dancers hold, balance and
dance with a brass pot decorated in cone shape with colourful flowers
and adorned with a parrot made of light wood on the top of it. The Karagam dancers perform entertaining dance movements to the beat of drums balancing with the Karagam on their head.
GOA
Musical Heritage of
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